S-VIP PlayOut Software SPLRemote Studio V6.20 (Scheduling Voice Tracking Automation) 2026-01-28

Summary​

Using SPLRemote, I found it incredibly easy to connect my iPhone or iPad to the Studio and control a StationPlaylist Pro setup without being physically at the station. I noticed the low latency using RTP (real-time protocol) made the shows feel natural, as if I was operating directly from the PC on-site. The ability to perform and operate the Studio either via the Internet or a separate PC at the station really expands flexibility for radio operators. For stations and operators, SPLRemote gives the ability to play, enable, and use all essential functions without delay. I personally appreciated how it gives seamless control over live shows, whether located locally or remotely.

Instant Track Control​

Using SPLRemote Studio, I was impressed by how smoothly it lets you play and manage tracks in live mode. Each cart can be configured individually with instant jingles or sound effects, and the 12 buttons allow quick insertion and deletion of any track from the library. I personally enjoyed checking the movement of each cart and track, which made the Studio experience feel organized and professional, while the option to disable certain functions in the Studio keeps everything flexible.

System Requirements​

To run SPLRemote Studio efficiently, a dual-core processor with 2.0Ghz or better is recommended, along with Minimal RAM usage, ideally 4GB, and adequate disk space. It supports Windows (XP, 7, 8, 10, 11, Server 2003–2025) and Mac OS via a WineSkin package for the purchased version, though the Demo is limited. Soundcard compatibility with Audio or ASIO drivers ensures smooth playback and recording of microphone input. I found the officially supported configurations make installation and setup quick, whether on 32 or 64-bit OS platforms.

Remote Access and Control​

SPLRemote Studio excels in remote control using RTP (real-time protocol), letting Studio operators connect remotely or on-site with PRO version access. Microphone audio is sent back for broadcast, with low latency ensuring live tracks are seamless. The trial edition allows a limited number of hours of continuous operation, while the full version integrates Server and Communications options. From my experience, an internal LAN or VPN connection ensures reliable status monitoring and uninterrupted performance.

PlayIt Manager Integration​

For managing PlayIt Live, Remote Studio provides excellent integration through PlayIt Manager. Presenters can connect off-site, interact in real-time, and broadcast from any Studio instance. The system notifies all connected Live instances, and the ‘on air’ designation establishes a direct connection with users. You can manage individual user access, control hours, and permit or restrict feature usage. This makes remote broadcasting flexible and ensures Studio functionality is optimized.

User Experience Insights​

In my practical use, SPLRemote Studio allowed me to play and manage tracks, carts, and microphone audio without delays. Remote control and integration with PlayIt Live made broadcasts feel seamless, whether at the station or remotely. Operators can enable and use all essential features, while Studio status and performance remain consistent. The combination of PRO version, trial access, and dual-core PC compatibility ensures that SPLRemote Studio is both reliable and efficient for modern radio operations.

Music and Playlist Management​

Using Creator, I noticed how easily it can select audio files and write them into playlist files for daily or weekly use. The structure of these Playlists can be altered to suit different audio players like Winamp, Windows Media Player, or the Studio software itself. I found that having properly loaded files and a clear specification in playout helps manage music and broadcasting smoothly. This scheduler ensures each file is ready for playback and application use without interruption.

Scheduling and Category Features​

One of the main advantages of Creator is the ability to design each hour using categories of music and spot groups. You can schedule advertisements, jingles, or songs in a specific order and rotate them to avoid consecutive repeats. I personally appreciated the interactive playlist view for DJs and users, which allows them to see what songs or spots are coming up. The system also helps with royalty payment and billing, generating summaries automatically and keeping the week organized.

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